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Going home from school one Friday afternoon, Moses heard sniggering half-suppressed comments behind him. He walked along slowly, contemplating his big toe that protruded pathetically from a large hole in his shoe. It reached his ears that one aesthetic youth was dazzled by the kaleidoscopic effect of his checked trousers; in other words, it made him sea-sick. Moses quickened his pace slightly, but his face looked like an advance notice of calamity. Presently he turned and glowered at his tormenters. “You can send some one after us, a man—not you, not either of you,” he called back over his shoulder, and was soon out of sight. Job, his ardor undampened by the strangeness of this reception, made haste to follow..

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His mutterings rumbled along, a series of submerged imprecations. He paused for breath and as soon as he had accumulated enough for his dire purpose, he swore what was to him a long and fearful oath. The heat and smoke increased alarmingly as they went on, the man puffing at the boy’s pace. In and out, occasionally doubling and returning but never losing altitude, Billy crashed on. His slender body slipped through underbrush by way of small apertures that would not admit the man’s greater bulk; he had to break his way. The boy, also accustomed to running, climbing, had the advantage of better breath; though the other could not, Billy still held his mouth shut against the suffocating smoke, kept his smarting eyes partly closed. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “How is your Ada since she had the jaundice, Mrs. Stolway?” inquired Airs. Bliggins..